BEHIND THE SCENES
Maine Audubon Brush With Nature Plein Air Paint Auction
Artist Mother Network
Morning Show
Artist Spotlight May 2021
It’s wonderful to be a part of this dynamic ensemble.
I’m featured at 9:00 minutes in.
I’m featured at 9:00 minutes in.
Artist Mother Podcast Talk
February 2021
A 10 minute talk about my work, and how I became a full-time artist
Music In The Studio
When I’m painting, I always listen to music to keep me moving...this first playlist keeps me motivated!
I use it when I’m on my rowing machine and bike trainer, too. The second I use when I need to keep my head focused. Check them out on Spotify!
PAINT ROW RIDE
STRETCH, SLIDE & SWEAR
I use it when I’m on my rowing machine and bike trainer, too. The second I use when I need to keep my head focused. Check them out on Spotify!
PAINT ROW RIDE
STRETCH, SLIDE & SWEAR
Studio Painting, Making Snow with Encaustics & Oils - January 2021
Experimental Studio Projects 2021
One Brush, One Paint, One Hour - Meditations during online calls and webinars
Liberace’s Landscape - glass, stone, pearl and acrylic on canvas
Museum of Beadwork Beaded Square Project 2021
Museum of Beadwork Beaded Square Project 2021
Experiments with weaving - linen, wool, glass, cotton, painting trimmings
Earth pigment experiments...gathering, grinding, soon to be incorporated into oils and encaustics.
Solidarity Book Project with
Sonya Clark, Amherst College
Sonya Clark, Amherst College
Portland Art Gallery Talk
November 2020
(scroll down to archived November opening)
Plein Air Painting - August 2019
Studio Process
Painting in the studios...I’m lucky to have a large studio to use for my bigger works, as well as my smaller space at home.
Some quick time lapse shots here to give you an idea of the process...all of my work starts out with bright underpaintings,
over which there are layers and layers of color and texture.
These were both shot during the early weeks of a chilly May, 2019.
Some quick time lapse shots here to give you an idea of the process...all of my work starts out with bright underpaintings,
over which there are layers and layers of color and texture.
These were both shot during the early weeks of a chilly May, 2019.
